No. 1, March 1915
Cover design by Marius de Zayas

How Versus Why, Agnes E. Meyer

Voyage, Guillaume Apollinaire

One Hour's Sleep--Three Dreams, Alfred Stieglitz

291, Paul B. Haviland

Oil and Vinegar Castor, Picasso

Simultanism, Marius de Zayas

What is Rotten in the State of Denmark, Edward Steichen

No. 2, April 1915
New York, Francis Picabia

Drawing, Katharine Rhoades

Mental Reactions, Agnes E. Meyer

Bellovées Fatales No. 12, music by Alberto Savinio

No. 3, May 1915
Cover design by A. Walkowitz

I Walked into a Moment of Greatness, Katharine Rhoades

Woman, Agnes E. Meyer (page design by Marius de Zayas)

A Bunch of Keys, J.B. Kerfoot

No. 4, June 1915
Cover design by John Marin

Fille Née Sans Mère, Francis Picabia

Flip-Flap, Katherine Rhoades

Dammi L'anatema, Cosa Lasciva, Alberto Savinio

Nos. 5-6, July-August 1915
Cover design by Francis Picabia

Canter, Francis Picabia

Portrait d'une Jeune Fille Américaine dans l'État de Nudité, Francis Picabia

J'ai Vu, Francis Picabia

Voila Haviland, Francis Picabia

New York n'a pas Vu D'abord, Marius de Zayas

Nos. 7-8, September-October 1915
Comments on The Steerage by Paul Haviland and Marius de Zayas

The Steerage, photograph by Alfred Stieglitz

No. 9, November 1915
Cover design by Braque

Femme!, typographic layout by Marius de Zayas

Voilà Elle, Francis Picabia

Drawing, Picasso Nos. 10-11, December 1915-January 1916
Cover design by Picasso

Picasso, Marius de zayas

Fantasie, Francis Picabia

Musique, Ribemont Dessaignes

La Vie Artistique, C. Max Jacob

No. 12, February 1916
Cover of an Ogouée-Congo Sculpture

Narcosis, Katharine Rhoades

Modern Art...Negro Art..., Marius de Zayas

We Live in a World..., Francis Picabia

Tennis Player--Serving, sculpture by A Roosevelt

La Vie Artistique, C. Max Jacob

Compiled by Alexander Camp Entrekin (Class of '06, Davidson College)